{"id":44,"date":"2014-10-16T07:14:13","date_gmt":"2014-10-16T07:14:13","guid":{"rendered":"https:\/\/diarieducacio.cat\/senderi\/?p=44"},"modified":"2024-05-13T13:08:50","modified_gmt":"2024-05-13T11:08:50","slug":"jo-confesso","status":"publish","type":"post","link":"https:\/\/diarieducacio.cat\/senderi\/2014\/10\/16\/jo-confesso\/","title":{"rendered":"Jo confesso"},"content":{"rendered":"

El text<\/strong><\/p>\n

Amb Jo confesso<\/strong>, Jaume Cabr\u00e9 mostra una ambici\u00f3 tan gran com la seva extensi\u00f3: nou-centes noranta nou p\u00e0gines, poques d\u2019elles prescindibles.<\/p>\n

La llengua apareix com instrument \u00e0gil, flueix amb simplicitat, ni acad\u00e8mica ni vulgar, al servei de la trama i tamb\u00e9 del tema. No s\u2019eviten expressions en llat\u00ed, alemany, franc\u00e8s o castell\u00e0, incl\u00fas hebreu i arameu, sempre, per\u00f2, al servei de.<\/p>\n

El di\u00e0leg destaca sobre la descripci\u00f3, la narraci\u00f3. Cada personatge parla amb la seva particular inflexi\u00f3 com demana una bona t\u00e8cnica teatral. Cosa que evidencia que ens trobem amb una novel\u2022la de personatges, de vides humanes. El drama tamb\u00e9 destaca sobre la com\u00e8dia, que es redueix a limitades notes d\u2019humor o ironia molt eficients, per\u00f2 insuficients per apartar-nos de la trama obscura que es va teixint en la ment del lector.<\/p>\n

La lectura ens posa a prova. L\u2019\u00fas de diversos idiomes ambienten les descripcions. No \u00e9s problema. Per\u00f2 passar de l\u2019edat mitjana als anys trenta, i d\u2019aqu\u00ed als dies actuals, sense cap av\u00eds al lector, t\u00e9 algun sentit? El canvi de persona que parla, el pas insensible d\u2019una escena a una altra, porta a alguna cosa?<\/p>\n

L\u2019autor sap que el lector actual est\u00e0 acostumat al flashback, que no li vindr\u00e0 de nou un aparent desgavell narratiu. Superada la confusi\u00f3 inicial, el lector veu que no es tracta de for\u00e7ar la sorpresa signo de portar al lector al descobriment de nous significats.<\/p>\n

La hist\u00f2ria, el tema<\/strong><\/p>\n

M\u00e9s enll\u00e0 d\u2019especulacions filos\u00f2fiques, el temps f\u00edsic \u00e9s s\u00f2lidament lineal. Vivim dia rere dia, hora rere hora. La mem\u00f2ria, pel contrari, deforma, treballa aquesta linealitat i fa que els fets inscrits en la ratlla unidireccional del temps ens portin a l’evocaci\u00f3, a la mem\u00f2ria del passat, a sensacions o construccions mentals relacionades, connectades entre s\u00ed per alguna ra\u00f3.<\/p>\n

La narraci\u00f3 de Cabr\u00e9 se\u2019ns mostra aix\u00ed, amb un aparent desordre, en forma de xarxa esfilagarsada, amb els seus nusos, detalls inconnexos, fils que no van enlloc, de forma molt semblant a com treballa la mem\u00f2ria sobre el pas del temps.<\/p>\n

Poc a poc, mes enll\u00e0 de la hist\u00f2ria d\u2019un viol\u00ed de gran valor, de la manca d\u2019afecte dels pares, de l\u2019amistat incontrovertible del company d\u2019inf\u00e0ncia, del paral\u2022lelisme entre la persecuci\u00f3 dels jueus de la Inquisici\u00f3 i del Tercer Reich, m\u00e9s enll\u00e0 de la id\u00edl.lica hist\u00f2ria d\u2019amor i les seves tr\u00e0giques alternatives, incl\u00fas m\u00e9s enll\u00e0 de la malaltia final, de la ir\u00f2nica o c\u00f2mica desmem\u00f2ria del protagonista, hi trobem una alta reflexi\u00f3 sobre la condici\u00f3 humana<\/strong>(1) , que sembla ser el fil conductor de les millors novel\u2022les del segle XX .<\/p>\n

La condici\u00f3 humana, al segle XX, s\u2019ha convertit en una expressi\u00f3 gens espec\u00edfica, una mena de mantra que apareix quan no se sap com expressar la dificultat de viure. Per\u00f2 Cabr\u00e9 explora amb perspic\u00e0cia algunes variants del tema: El tema del pare, del seu pes, del seu assassinat, el paper de la inf\u00e0ncia, de la sexualitat i l\u2019instint, l\u2019amistat, el paper de l\u2019est\u00e8tica, la funci\u00f3 de la literatura … Destaquen dos temes per sobre d\u2019altres: el problema del mal<\/strong> i la possibilitat de transcend\u00e8ncia<\/strong>.<\/p>\n

El mal es mostra divers, polim\u00f2rfic: la maldat \u00e8tica, el mal que provoca l\u2019atzar, la injust\u00edcia, incl\u00fas el que provoca l\u2019afany de just\u00edcia, l\u2019abs\u00e8ncia de refugi per la bondat, la inf\u00e0ncia com a recer il\u2022lusori, com a paradigma del parad\u00eds, definitivament perdut.<\/p>\n

Respecte a la transcend\u00e8ncia, la il\u2022lusi\u00f3 \u00e9s limitada: El protagonista es veu lligat a la possessi\u00f3 d\u2019un valuos\u00edssim viol\u00ed, que conserva una taca de sang testimoni de la transcend\u00e8ncia en el temps de la maldat, indefugible, inexorable. Per\u00f2 a la vegada tamb\u00e9 transcendeix una possibilitat de redempci\u00f3 lligada a l\u2019amor, i sobre tot a la “voluntat est\u00e8tica”, tamb\u00e9 ineludible.<\/p>\n

(1)La novela hom\u00f3nima d\u2019Andr\u00e9 Malraux sembla la refer\u00e8ncia m\u00e9s directa. Per\u00f2 el tema travessa tota la filosofia del segle XX: Heiddeger, Camus, Jaspers…<\/em><\/p><\/blockquote>\n

Fitxa t\u00e8cnica:<\/strong>
\n<\/strong>\"Jo-Confesso650\"<\/a>T\u00edtol<\/b>: Jo confesso
\nAutor:<\/strong>\u00a0Jaume Cabr\u00e9
\nEditorial<\/b>: \u00a0Proa
\nCol.lecci\u00f3:<\/strong> A tot Vent (n\u00fam. 50)
\nAny de publicaci\u00f3<\/b>: \u00a02011. Aquest exemplar \u00e9s la 8\u00aa edici\u00f3
\nN. de p\u00e0gines<\/b>: 1008
\nISBN<\/strong>: 978-84-7588-253-6<\/p>\n","protected":false},"excerpt":{"rendered":"

Amb Jo confesso, Jaume Cabr\u00e9 mostra una ambici\u00f3 tan gran com la seva extensi\u00f3: nou-centes noranta nou p\u00e0gines, poques d\u2019elles prescindibles. La llengua apareix com instrument \u00e0gil, flueix amb simplicitat, ni acad\u00e8mica ni vulgar, al servei de la trama i tamb\u00e9 del tema […]<\/a><\/p>\n","protected":false},"author":423,"featured_media":107,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[114],"tags":[112,113],"tipo":[],"class_list":{"0":"post-44","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-valors-a-la-literatura-del-segle-xx","8":"tag-jaume-cabre","9":"tag-literatura-i-valors"},"yoast_head":"\nJo confesso - Senderi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/diarieducacio.cat\/senderi\/2014\/10\/16\/jo-confesso\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jo confesso - Senderi\" \/>\n<meta property=\"og:description\" content=\"Amb Jo confesso, Jaume Cabr\u00e9 mostra una ambici\u00f3 tan gran com la seva extensi\u00f3: nou-centes noranta nou p\u00e0gines, poques d\u2019elles prescindibles. 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